2012 Wrap up: all the paintings

 Here are the eleven paintings I did in 2012, I know that I've posted them all as I finished, but its nice to see them all together, leave me a comment and let me know which you like best!

Portrait of My Father 18x24

Allegory of Poetry 24x36

Still Life with Prudhon 11x14

Place Setting 14x18

Veronica 18x24

Creation still Life 11x14

Verity 12x12

Titus 12x12

Waiting 22x28

Contemplation of Beauty 8x10

Service and Worship 14x18

"Place Setting" Up for auction

Up for auction on ebay this week!

http://www.ebay.com/itm/160933585894?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Figure Painting

 My first figure painting in quite a while. 18x24, from life of course.  It's the first time I've worked from a figure model outside of a classroom situation.  I had a great model, but I rushed the painting too much especially in the beginning.  I knew I would only have 30-40 work hours for this painting and ended up pressuring myself to work too quickly, skipping critical stages of my process, which ended up actually costing me more time.  Over all, I'm pleased with how the painting turned out and I'm excited to get into the next one.

Price List 2012/2013

For the past few years, I've been winging it when it comes to pricing.  I'd finish a piece, submit it to a show and when they requested a price I'd hem and haw and generally dither around trying to figure out a number value to attach to something that to me is representative of hours of concentration, creative thought and angst.  This method has led to some rather unhelpful price structures based basically on how much I liked a particular piece at the time I priced it.  So, after researching how other artists have done this, I've come up with a (somewhat) more objective way to price my work.  I say somewhat, because it's always going to have a level of subjectivity to it.  Basically I have 3 categories based on the size of the paintings small, medium and large,I thought about giving them pretentious titles using different languages to confuse people, but then thought better of it, and then a dollar range for each one. The price of the painting then becomes based on the size first, the complexity of subject and the overall finish of the piece, the time it took me to complete factors in as well (although it is pretty much related to the level of finish), and the general awesomeness of the painting. Here are the categories with some of the standard sizes that I work in

Small (8x10, 12x12, 11x14) 500-1,000 dollars
Medium (14x18, 16x20, 18x24, 20x24) 1,000-2,500 dollars
Large (22x28, 24x30, 24x36, 30x40) 2,500-5,000 dollars

The Contemplation of Beauty

8x10 Trompe l'oeil 

Allegory of Poetry

My first (somewhat) large multi- figure painting: "The Allegory of Poetry"  I had three of my cousins pose for me at my Grandma's farm this summer and am excited to start this one!  24x36, pretty good sized but not overwhelming.  I started the drawing thinking it would be 30x40, but realized a more vertical composition would emphasize the figures better, so I cropped it a bit.

 The painting is about the romantic notion of  poetry, the characters represent the muse whispering to the inspired who spends time in nature, surrounded by beauty and involving herself in the writing of others, and the act of writing, creation, the outcome of inspiration. I'm inspired by the Pre-Raphaelites, both technically with a focus on nature, vivid jewel like colors, and attention to detail, and also thematically with an emphasis on the idealism and beauty as integral pieces in the puzzle of art.  However, Often in classical or medieval paintings of both the Pre-Raphaelite brotherhood and the academic artists, the figures have an element of sameness about them, I want my characters to remain unique, specific young women at a specific time, no ambiguity or generic faces and figures, which adds to the theme.

Drawing to be transfered

Full Chromatic Palette

Poster Study 8x10

Drawing inked onto Canvas

Imprimatura: Ivory Black and Transp. yellow oxide

Full color under-painting

Because color is so important in this painting, I decided to do a full color wash in for the under painting instead of the value oriented under painting in raw umber that I would normally do.

Block-in 

The Block in is painted with full bodied, straight tube paint.  I used a full palette for most of it, but simplified it quite a bit for the skin tones.  Because I have a tendency to use too much orange or yellow and I wanted a cool pink skin tone, I basically just used black, white, and red, using yellow ochre and raw umber sparingly.

Here's an update, you can see I'm working from the bottom right, slowly adding more detail at this point I figure I'm a little more than half way done, I've worked between 60 and 70 hours on it at this point.

I'm about at the end of the second layer, I'll start the finish next week

And finished!

Still Life and Hudson Valley Landscape

"I wist not what to wish, yet sure, thought I

If so much excellence abide below,

How excellent is He that dwells on high!

Whose power and beauty by his works we know;

Sure he is goodness, wisdom, glory, light,

That has this underworld so richly dight:

More heaven than earth was here, no winter no night."

--Ann Bradstreet excerpt from Contemplations